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Time Smoking a Picture .

This print, designed as the subscription ticket of Sigismunda, expresses Hogarth's fear of time as a force destructive to art while it combats the general enthusiasm in England for "dark masters" articulated by Addison in the "Spectator Vol: II: Page 83." In that Spectator (No. 83) Addison denigrates modern art as the product of such motives as vanity, avarice and envy while he sees the lifelike work of "those Great Masters that were dead" as impoved and mellowed by time.

In opposition to this view Hogarth draws Time sitting irreverently on a statue he has destroyed. The sculpture looks almost like a human being that has been executed; the noseless head, wearing a pained expression, is detached from its body. The statue's hand, also detached, points to Time's obscuring "Varnish." Time himself views a painting impassively as his scythe destroys its canvas and he obscures its detail with smoke.

The quotation from the comic dramatist Crates translates "Time is not a great artist but weakens all he touches." This quotation has been reworked by Hogarth to serve his own ends; the original reads, "Time has bent me double; and Time, though I confess he is a great artist, weakens all he touches."*

[Excerpt from Engravings by Hogarth, edited by Sean Shesgreen (Dover, 1973).]

*Paulson, Hogarth's Grapic Works, I : 242.




Frontispiece to Kirby's
(click image to enlarge)

"Frontispiece to Kirby's 'Perspective Made Easy'"

(Cook edition, 1796-1803)

Sheet size: approx. 23 3/4x 16 3/4 inches

Condition: Very good to Excellent

$375



Frontispiece to Kirby's Perspective Made Easy and Time Smoking a Picture
(click image to enlarge)

"Frontispiece to Kirby's 'Perspective Made Easy'"
and
"Time Smoking a Picture"

(Heath, 1822)


Original Copperplate Engravings/Etchings from:
The Works of William Hogarth from the Original Plates Restored by James Heath, Esq., R.A.; With the Addition of Many Subjects Not Before Collected: To Which is Prefixed, a Biographical Essay on the Genius and Productions of Hogarth, and Explanations on the Subjects of the Plates by John Nichols, Esq., F.S.A.

London. Printed for Baldwin, Cradock & Joy, Paternoster Row
by Nichols and Son, Parliament Street
1822

Sheet size: approximately 25¼ x 19¼ inches, thick woven paper.
(approx. 64cm x 48cm)

Condition: Excellent. A few tiny fox marks

$500


 

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