This print was engraved from a painting modeled on Le Brun's The Family of Darius before Alexander the Great. Hogarth's original was executed for a Mr. Duncombe of Duncombe's Park, who paid the artist £200 for it, the highest price paid a British painter for a single portrait up to this time.
The work is at once a full-length portrait, a dramatic history painting and a Le Brun-like study of the passion of fear. It portrays Hogarth's friend David Garrick playing the Shakespearean part by which he first became famous and helped to popularize and celebrate British drama. It does not appear to depict an actor (there is no hint that this action takes place on stage) but rather an historical personage of great importance, Richard III, properly costumed and surrounded by the elaborate drapery and symbols (armor, crown, sword) of his position which were traditional in such portraits. Because it catches Richard in a moment of crisis as he has awakened from a nightmare (V, iii), it is primarily a study of the operations of fear as it manifests itself in the face, posture and actions of an individual. At Richard's feet lies a note bearing the words from the play, "Jockey of Norfolk, be not so bold/For Dicken thy Master is bought & Sold."
[Excerpt from Engravings by Hogarth, edited by Sean Shesgreen, (Dover 1973).]
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