Definitions and terms used in the fine arts print field have been varied. The older, even
sometimes archaic, meanings are not necessarily the same today. There are terms that
are quite colloquial to a locality. Then we have the user's interpretation whether artist,
publisher, gallery, curator, museum, collector or consumer.
We hope this glossary is of some assistance.
Acid-free
The term used to describe specially manufactured materials
that do not contain acids that cause deterioration.
Antique Print
A general term to denote age of a print. A collector usually considers those prints
from the nineteenth century and prior as "Old Prints, "Rare Prints," or simply Antique Prints.
Aquatint
The process by which a powdered substance (such as rosin) is adhered to a metal plate,
and the plate is then etched in an acid-bath. The resulting print (aquatint)
is characterized by a transparent, soft effect, resembling a watercolor.
Archival
The term used to describe materials which may be stored in an archive; in the graphics arts,
archival refers to the relative permanence of a material and its ability to remain stable over time.
Art
Generally, creative work, or the principles by which things of form and beauty are made.
The term Fine Arts as applied to the graphics arts includes drawing, printing
(by other than photomechanical means), and painting, such as watercolor.
Artist
The creator of an original image.
Artist Copy
See Artist's Proof.
Artist's Proof
Often abbreviated A/P, additional "proofs" not included in the regular edition,
pulled for the artist's approval and personal use. These proofs are of the same quality
as the regular edition, and may be retained by the artist or sold.
(See also Épreuve d'Artiste)
Attribution
The assigning or crediting of a work of art, usually unsigned, to a particular artist.
Authenticity
See Certificate.
Black and White
The term used to describe photographs not in color;
also describes printing done with black ink on white paper.
Blind Stamp
A small embossed seal printed on or impressed into the print as a distinguishing mark. (see also Chop Mark)
Block
A material into which a relief design is cut or etched, usually wood or linoleum.
Bon à Tirer
Literally, "good to pull" or "good to print," the term used to describe the print
for comparison with subsequent prints for quality, as well as proof of the
artist's permission to print the edition.
Bookplate

A print which has been "tipped" (attached at the corners) into a book.
It may also be a collector's label affixed on the inside cover of a book.

Brass Rubbing
An image created by placing a material, usually paper, over a raised surface (in this case, brass)
and rubbing this material with a greasy crayon designed for this purpose.
Buffering
The term used to describe the addition of an alkaline substance to a material to raise its pH. (see pH)
Burin
Also know as a graver, a sharp-pointed instrument used for engraving, etching, and drypoint.
Burr
The metal which is raised above the surface of a metal plate when it is incised.
It is particularly evident in drypoint, where the burr enhances the effect created by the incised line.
Buyer's Premium
The commission charged to the buyer by the auction house.
A-B    C    D-F    G-K     L-N   O-Q    R-S     T-Z
A-B    C    D-F    G-K     L-N   O-Q    R-S     T-Z
Darvill's Rare Prints, fine antique prints and rare maps since 1918! Darvill's Rare Prints, fine antique prints and rare maps since 1918!
Antique prints from Darvill's since 1918 Rare Maps and Charts Limited edition prints from Alaska's most famous artist Rie Munoz Darvill's Rare Prints homepage About Darvill's Rare Prints
Sorry, we do not perform appraisals and we do not buy from unsolicited sources.