 |
|
Physiognomical Portraits,
One Hundred Distinguished Characters, From undoubted Originals, Engraved in the Line Manner, by the most Eminent British Artists.
(Edward Walmsley, 1822-1824) |
|
 |
|
Vanity Fair 'Spy' Prints
(1869-1914) |
| |
|
|
|
|
|
|
 |
|
British Autography. A Collection of Fac-Similes of the Hand Writing of Royal and Illustrious Personages, with Their Authentic Portraits
(John Thane, ca. 1820) |
|
 |
|
The Portraits of the Most Eminent Painters, and other Famous Artists, That have flourished in Europe. Curiously Engraven on above One Hundred Copper Plates.
(F. Bouttats, P. De Jode, Senior,
et. al., — London, 1739) |
| |
|
|
|
|
|
|
 |
|
Quasi cursores; portraits of the high officers of the University of Edinburgh
(Edinburgh, 1884) |
|
 |
|
Naturalists from
The Naturalist's Library
(Jardine/Lizars
London, Edinburgh ca. 1840s) |
| |
|
|
|
|
|
|
 |
|
The New Illustrated History of England
(Charles Browning, 1890) |
|
 |
|
The Biographical Mirrour...
(London, 1796-1801) |
| |
|
|
|
|
|
|
| |
|
Famous Persons
(Mezzotints by Richard Houston,
ca. 1750) |
|
 |
|
Vite de' più eccellenti Architetti, Pittori, et Scultori Italiani (The Lives of the Most Excellent Painters, Sculptors and Architects of Italy)
(unknown edition, circa 1791-1811) |
| |
|
|
|
|
|
|
| |
|
|
|
|
|
|
| |
|
|
|
|
|
|
| |
|
|
|
|
|
|
| |
|
|
|
|
|
|
| |
|
|
|
|
|
|