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North American Wild Flowers
by Mary Vaux Walcott (1860-1940)
Washington, D.C.: Smithsonian Institute, 1925
5 volumes. (edition limited to 500)
Photoengravings "Smithsonian Process" • Sheet size: 9.25 x 12.5 inches
Original descriptive text (or photocopy) accompanies print whenever possible.


Mary Vaux Walcott collecting wild flowers in Canada, 1920s. photographer unknown

photo courtesy of Smithsonian Institute

During her early years, on family summer vacations to the Rockies, Mary Vaux (rhymes with fox) developed into an accomplished amateur botanist, watercolorist, and mountaineer. Her wildflower publication was to become "the Audubon of Botany," and a 10,000-ft. peak in Jasper Park was named for her. After she married Dr. Charles D. Walcott, a noted geologist and Secretary of the Smithsonian, she accompanied him on his field trips. "This afforded me a wonderful opportunity for intimate study of the flora, my aim being to collect and paint the finest specimens obtainable, and to depict the natural grace and beauty of the plant without conventional design." She typically sketched while the pack-trains were stopped or being made ready, often warming her hands first by a small fire, and then finished the beautiful watercolors once back home in the East. Because of the short and tentative season of the wildflowers, and the often inhospitable locations on mountainsides, this endeavor occupied many seasons and arduous trips.

"As time went on and the collection grew, botanists, artists, and others interested in flowers began to urge that the water-color sketches should be permanently preserved and made available for students and lovers of the beautiful in Nature, before the dust of time faded and browned them to the hues of the pressed flowers of the herbaria." The result was the publication in 1925 of these astonishing volumes containing over 400 colored lithographic prints. Indeed, they deserve to be called "the Audubon of Botany."

The selection of prints below is from the 1925 Smithsonian edition of
"North American Wildflowers" which was a limited edition of 500.
"Smithsonian Process" photoengravings with strong plate marks.
Sheet size is approx. 9¼ x 12½ inches. Plate mark is at approximately 6½ x 9¾ inches.

Each print is accompanied by a 1 page description written by Mary Vaux Walcott when available.

PLEASE NOTE: THE ENTIRE SHEET IS TOO LARGE TO SCAN,
BUT THE MARGINS ARE ALL FULL AND COMPLETE.

(click on a thumbnail to see the larger view)

White Epidendrum
Plate 337
White Epidendrum

$45

Bluebead
Plate 338
Bluebead

$40

Yellow Fringeorchid
Plate 340
Yellow Fringeorchid

$50

Fringed Parnassia
Plate 343
Fringed Parnassia

$45

Hooded Ladies-Tresses
Plate 356
Hooded Ladies-Tresses

$45

Yellow Pentestemon
Plate 357
Yellow Pentestemon
(no text available)

$45

Yellow Dryad
Plate 364
Yellow Dryad
(no text available)

$45

Red Willowweed
Plate 370
Red Willowweed

$55

Elephanthead
Plate 373
Elephanthead

$45

Alpine Monkeyflower
Plate 375
Alpine Monkeyflower

$50

Drummond Willow
Plate 380
Drummond Willow

$50

Arrowleaf Groundsel
Plate 385
Arrowleaf Groundsel

$45

White Dawnrose
Plate 387
White Dawnrose

$50

Scarlet Mariposa
Plate 391
Scarlet Mariposa

$55

Bushpoppy
Plate 392
Bushpoppy

$55

Ocotillo
Plate 396
Ocotillo

$55

 
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